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After spending a month with Ableton Live, watching almost a zillion tutorials which I found on YouTube, I became a bit addicted and have already made a few songs. They are simply not the same. During all those years of making music, I came to the conclusion that the work-flow has the biggest influence on the end result.
Different approaches and different tools will simply lead to the different results. Ableton Live is a DAW for the 22nd century. If you intend to record a country band or a symphonic orchestra, then choose Cubase, Logic or Pro Tools. It can be done also with Ableton Live, but this is not the point of that software. If you want to write a whole song on a plane, from a sketch to the finished product — the professionally produced, up-to-date modern song — then Ableton Live is your tool.
Ableton Live is absolutely the most advanced tool for modern contemporary production. Cubase, Logic and Pro Tools are the most advanced recording studios that money can buy, and they offer everything you need to start and finish your song on a highest possible level, but for all sorts of modern mixture of electro genres Hip hop, IDM, Electro, Dance, Trance, Chill, Dubstep etc.
Ableton Live is unbeatable. One thing is for sure, Ableton Live is not just a four-on-the-floor machine. You can produce anything you want with it, the sky is the limit; it just offers a different working approach and different tools and a very adorable, handy work flow that will bring fresh air into your production, where everything can be done more intuitively, without breaking your creative process.
I got Ableton Live 9 Suite, which is a bit pricey, but when you sum up all the things that you get along with main software, you will soon figure out that it is very fairly priced. Also the Suite version brings us some additional Live instruments that really make a difference — Operator and Sampler. So, if Ableton Live Suite is the first thing that you have ever bought, it could easily became also the last one, not to mention all those free packs that comes almost daily on Ableton blog site.
Some of them are really good. It is the perfect tool for live playing; also, it is unbeatable for trying different combinations, but the main strength lies in the arrangement window which at first sight looks similar to the other arrangement windows in other sequencers. When you start layering things you will notice the difference very soon.
After watching all those tutorial video clips, I made my first composition in a less than half an hour. I browsed through my base of free drum loops that I have compiled over the years, and after finding the right one, dragged it to the MIDI track. Ableton asked me if this is a harmony, melody or drum clip. I dragged the same loop to an additional audio track all loops are automatically stretched to the sequencers speed , pressing the button for converting the speed to half time, then cut some low ends with Live EQ, making a nice background rhythmical noise out of a normal rock loop.
You simply cannot believe what you can get out of a boring drum loop. I dragged Operator onto a new lane, and using the default settings, playing some bass line, then added another plucked preset from the Sampler, making some sort of lead line.
My first Ableton piece is done. My first Ableton song done in less than half an hour. You could even try to make a song without touching the keyboard: Convert one orchestral loop to a MIDI clip, taking the lower part for the bass in combination with Live arpeggiator and taking the mids and highs for the lead line Operator.
Spice it up with one drum loop, also converted to a MIDI clip till now, it is a two minute business and the background is almost done , then add a few appropriate additional chords. Now add a catchy vocal line and…. Does it sounds familiar to you? Maybe, like a number one U. K Top 40 hit from January ?
Like Clean Bandit featuring Jess Glyne in the song Rather Be? Ableton Live has a bit different approach to the MIDI and audio lanes. You can simply select any part of a loop or phrase, then delete or just copy and paste it anywhere else in project. It is like ripping a piece of paper out and gluing it onto some other place. This method allows you to fine-tune any loop, combining various parts together on different lanes.
If you use a drum rack, then you can just select the appropriate pad and add any effect you want to just that pad. Reverb and compressor to snare, EQ to hi-hats, EQ and bass buster to kick, along with shaping every separate hit in very tiny detail with the included controllers inside the drum rack.
Contemporary music is all about the beat, but this is not big news; that is the case with all music for the last 50 years. Good drummer, good band; bad drummer, bad band. With Ableton Live you can really make your beat rocking. Sidechaining in Ableton Live is pure joy. Just add a compressor and choose which track will be the carrier. In less than a minute you can sort all sidechains for all tracks. Ableton Live 9 brings one additional compressor, Glue Compressor, which I initially thought is just another toy with a fancy name, but after seeing it in action video tutorial and trying it inside my arrangement, I figured out that it can really add a pro-sounding touch on a drum group channel yes, you can group tracks in Ableton or on a buss channel, the same as on the main channel.
The most interesting thing with most of the Ableton Live effects is that all of them give great results even with the default setup. Ping-pong delay is already filtered properly, so in the most cases you just need to set up the amount of the effect, and the same goes for all other effects.
The next extraordinary and unique feature is the way you can manipulate audio or MIDI sounds. Doing a standard pop production, your vocalist can save the day, but when you try to make some instrumental stuff, you suddenly find how some static background can sound so uninspiring and dead. With Ableton Live you can go absolutely crazy filtering, automating, changing and evolving sounds from second to second. Everything can be linked to almost anything, and if you are too lazy to do some automation, just insert an LFO Filter effect as an insert effect, set the treshold frequency and rate.
Your basses, pads or whatever will go crazy, rhythmically filtering to create a desired sound. Adding any effects is a one-second job.
Just drag it to the arrangement lane or to the bottom of the main window. The most used ones are always close to the main graphical window, while lesser used and additional ones are in a rank after the most used, so if you just grab the first one near the main window, you will do the job, at least in most cases.
Also, I found some unique functions like reverse all MIDI notes in a clip, allowing me to record a MIDI loop, reverse the loop with one click, render as audio, then reverse the audio back to normal getting sucking sounds where attack is at the end of the note. Simply brilliant, and it is a matter of a less than a minute. Also, it takes one click to halve the speed, another to double the speed.
Drawing one note over another automatically deletes overlapped notes very handy for making pads out of some syncopated notes. The Legato function makes all notes legato with one press. There is an Invert function and various others like selecting a range and changing it with one move.
A handy trick for the 22nd. So, all in all, not your everyday beggary of MIDI tools you are used to, but pretty different ones that you need some time to learn. In the past, I was never to keen to program synths, but after I saw a few video clips about Operator, I changed my mind and started tweaking various things inside this simple-looking, ultra-powerful synth.
Creating crazy, Skrilex-like pulsating, evolving, wobbling basses is shamefully easy with Operator. For a pure wobbling bass, you can always use an LFO limiter as the audio effect on any instrument or sound.
So drag Operator onto a MIDI lane. The default sound will be just more than perfect. Record some simple bass line, and then just start moving the level knobs that are nearest to the main window. There are four level knobs for the four oscillators. A few trials and errors later, you will have your first Skrilex-style bass line. It is a fully featured sampler where you can go mad multi-layering various sounds, just to get more buffed sound or to rank them through various velocity ranges.
Making all sorts of gymnastics with samples is pretty easy, selecting the loop range or toying with start, decay, release or anything else sample-related. The next thing that is very user-friendly after you get used to it is the browser where you get all your sounds, internal tools, external tools, or whatever you define, ranked in a very tidy way. All loops can be previewed at the host tempo, and all sounds can be previewed before you drag them in, the same for drum kits where you can even hear some basic drum loop to listen to the various elements in the kit as you audition it.
I presume this will be implemented in the next version. Very impressive — my playing skills, of course. I put in group all that and added it to my user library directory. Obviously Ableton Live 9 is a tool that invites you to start your traveling without any idea what you will do during the flight, lending with a mastered masterpiece two hours later at some other destination. Just you, your notebook and Ableton Live 9 suite.
With Ableton Live you can do literary everything, but not in the same way as you are used to doing. Different approaches brings different results. A perfect tool for the next century and we barely started this one. It is like a Mary Poppins bag. Everything you will ever need is there. The only third party addition that you will need is you. Ableton developed Push, a good-looking, handy pad controller for Ableton Live which could possibly be the only controller that you will ever need.
It has a bunch of small pads and various menu buttons aside which allow you to attach various functions to those pads, like choosing a tonal scale, so you can even play keyboard solos with it. Programing new drum patterns is a piece of cake, the same for adding new scenes or tracks, recording and manipulating clips, and adding or even deleting notes.
It looks very impressive and as soon as my bank account shall recover, I promise that you will get a detailed review. It is a piece of hardware that makes you slobber. At the Ableton site you can find the Packs directory where you can hear demo clips for more than one hundred packs.
Some are free, other are cheap, a few are more expensive, but all in all there is a bunch of a good choices for every taste. From orchestral through the exotic ethno ones, then on to drums and ambient sounds, real instruments, fake instruments — it is almost like being in a supermarket. There are even packs from well-known sample companies like Project SAM, Soundiron, Soniccouture and few others.
The truth should be told, that there are many more additional Ableton Packs which are not presented directly on that subsite, but you can find trails through the Ableton blog. Some of them are really adorable, so it is not such a bad idea to spend some additional time searching around the site.
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